A musician who lost his hands falls for a woman whose technologically adept friends help him make a comeback.

A young woman clashes with the forces of religion.

This film test is a demonstration of Pixar's early attempts to research, analyze and recreate qualities of motion, shading and lighting that make water believable. Said techniques are later expanded upon in "Finding Nemo"

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

A controlling father’s attempts to ensure that his two children succeed in high school backfire after his son experiences a career-ending sports injury. Their familial bonds are eventually placed under severe strain by an unexpected tragedy.

A beautiful Western woman asks a Gypsy to watch her four-year-old child while she is taught how to swim by a flirtatious married man, before she disappears into the sea.

Waves is inspired by a short novel of Robert Louis Stevenson, The Ebb-tide, written and published in 1894, the year of his untimely death (Stevenson was 44 years old).

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

A young Black man grapples with his toxic cycle, his day unfolding through a visual poem set to a tape cassette that weaves the rhythm of his struggles, echoing his journey toward self-awareness and change.